“In(h)ertz” establishes a simile between the disappearance of the cell by apoptosis and visual self-immolation in the context of human recognition methods in Artificial Intelligence. By integrating Biocouture, Machine Learning and AI, these designs act as hybrid camouflages and evasion patterns to confuse the identification algorithms in security and surveillance cameras. Biotextile and recycled materials embodies here the poetics that transits in the cycles-hertz- that vibrates between programmed destruction and rebirth for a more sustainable common good, appealing to a HOPE for a better future.
PhD Professor at the Faculty of Fine Arts of the University of Seville, Spain. Member of AIRobolab and Observatorio, Iberoamerican digital and electronic arts network, and founder of Art Science Technology and Society Lab (HUM-1045), she recently co-organized the AI&Art Pavilion for Esch22. European Capital of Culture in Luxembourg (2018–2023). Her artistic production, which evolves around AI&Art ecologies and ecosystems, includes more
than 168 exhibitions at national and international level (57th Venice Biennale). Having won several awards, it has been incorporated into art collections in renowned public and private institutions.
