un:alive:obduction

by
Catrin Manoli

A voyeuristic stare at a lifeless animal body being autopsied: a sound is created by the contact between the flesh and the guided scalpel blade.

Keeping non-human animals godless is an idea of power that human animals can have over anything that can be suppressed. Melodies and scenes create a horror show of confrontation that questions speciesism and our transience as human animals.

As a failed taxidermist (fortunately fired after two months on the job), her living room is on the train. Always front row in the mosh pit, with her significant one metre fifty she actively makes a radical statement against right-wing and colonialist structures. Rustlingly beautiful noise is combined with preserved dead animals to create a horror show of confrontation that questions speciesism and our transience as human animals.

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