Interface Cult

Post-Dervish Chant

by Smirna Kulenović (BA) & TAZ 22, Indiara Di Benedetto (IT)
The process of repetitive whirling in traditional Dervish Dance extends into an experimental, novel and spontaneous movement vocabulary that attempts to embody the relationship between diffraction, memory and vulnerability in human-non-human materialities. The processual employment of dance, vocalisation or dance-like movement becomes a form of inquiry, rooted in personal documentary approaches done by each participating artist.